Showing posts with label submission. Show all posts
Showing posts with label submission. Show all posts

March 27, 2025

Concerning Submissions

 

As we approach the deadline for submissions to Poets Online each month, the final days always bring in the most submissions.

Last year, we had 575 submissions. That's an average of about 50 per the monthly call. That is small compared to the big journals, but it's fine because we are small with a few volunteer staff and a one-man production team. There are no fees to submit and that does attract poets. 

We don't have a number that we plan to use use each issue, but it generally whittles its way done to 10-20 poems currently. 

It is important that you follow our rather simple submission guidelines, but that is true for any magazine, journal or book publisher. And yet, we always receive poems that have nothing to do with that month's prompt.That is an immediate rejection. We also receive poems that are not correctly formatted, which moves them down in the acceptance list. Then, there are the most difficult ones to decide on. If all the readers give it a thumbs up, it's included. Then we work our way down the list.

On Poets Online, we ask for email submissions in plain text, with the subject line being submission so that our mail filter puts it in a folder for readers. Even using submission_ or submit or prompt will push it elsewhere where it may not be read at all.

I am also a reader for a manuscript competition and a print poetry magazine. The submission guidelines for those are more complicated but the process is very similar: last minute submissions, poems that do not match the call, ones that are incorrectly formatted.

MORAL OF THE POST: Read and follow submission guidelines.



Follow this blog for all things poetry.
To see our past prompts and more than 300 issues,
visit our website at poetsonline.org

May 16, 2022

Following Submission Guidelines

As we review poems submitted to the Poets Online monthly issues, we are always in receipt of poems that do not follow our submission guidelines. (see those at poetsonline.org/submit.html) There are very simple items (title in caps; subject line "submission"), technical ones (single-spaced plain text) and optional ones (do you want your name linked to an email or website). There are also ones that will eliminate your submission immediately, such as sending multiple poems, not addressing the current prompt or putting the poem as an attachment. 

These are not unusual and every publisher has their own take on guidelines. Some publications are very strict about guidelines. We wouldn't reject a poem because the title was not in capital letters, but some publications would reject work that is in the wrong font or size. 

The point is that you need to READ THE SUBMISSION GUIDELINES for every submission, and you should also look at what poems that publisher has used in the past. 

I am part of a group that reads submissions for a print magazine and for a manuscript award. With manuscripts, the guidelines are more complex and more specific to the publisher. For example, they might want a short bio OR they might want no identifying information because the submissions are being read blind. 

There are no guidelines that apply to all publishers, but if you are preparing your first manuscript, here are some general suggestions that might help you get the document in shape.

For poetry, single-spaced (with allowances for special typography and layout), each poem beginning on its own separate page in the manuscript; 

Standard letter size (8.5 x 11") in portrait orientation and use Times, Arial or Helvetica at 12 pt. black font on white page background; 

Most publishers want a Microsoft Word .doc or .docx. Some accept a .pdf or .rtf document.

You should have a cover/title page indicating the manuscript’s working title. Usually, that will also provide the author’s full name, residential address, and contact information (e-mail, perhaps a phone).

You might have acknowledgements page of places where some of the poems have been published before.

You need a Table of Contents listing the poem titles and page numbers. This might be the most difficult thing to set up in Word as publishers want page 1 to be the first poem and not the cover or any of the pages prior to the first poem. This can be very confusing to do. The sequential pagination is usually in the upper-right corner (document header) or in the footer.  Some publishers ask for the header to include the author's last name and the manuscript title but, as noted earlier, another publisher may want no identifiers.

It seems like the majority of publishers are suing Submittable or an electronic submissions system. This can make things easier for poets and publisher but these services are rather costly (which is why the trying-to-stay-free Poets Online still uses old-fashioned email submissions). Submittable is free for an author to use because the cost is picked up by the publisher. But it's not always free to submit your poems. A submission fee to submit individual poems, manuscripts and enter contest has become almost standard. Fees I have seen recently range from $2 to $35. There are still free submission sites and those range from Poets Online to The New Yorker, Submittable allows you to filter sites that are still free, but those fees often support the actual publications (especially print publications) and awards or payments for acceptances and staff salaries. 

One last general thing that really annoys a publisher - if you do simultaneous submissions and your work is accepted, be sure to notify the other publishers to withdraw your submission from consideration. I have been surprised and a bit angry about the number of poems we accepted for a print publication where the poet then told us it was previously accepted or even already published elsewhere! This is an easy to do courtesy. Some publishers have long memories for such indiscretions.


January 4, 2021

Some Thoughts About Submissions



A quick post while we go through the final edits on poems submitted in December which will appear on Poets Online tomorrow. 

The site has always been primarily a one-man operation, but I have always had readers who help sort through submissions - particularly when I wonder if a poem addresses the prompt.

Some of these revolving and occasional readers (all poets themselves) also help format and correct typos and obvious mistakes in the poems they think should be published. Rarely, we send a poem back to the author and ask a question or suggest a change. 

I got an email from someone who has submitted and been published on the site several times who said, "I'm trying to figure out how you order the poems on the page. Best ones at the top - or is their [sic] no real order?" Since I assemble the new issue as poems are accepted, the order is often that of acceptance with the first poems accepted at the top. I certainly don't rank them. I will separate them so that several long or short poems aren't together or split apart similar poems sometimes.

A new reader of submissions asked me, with some exasperation, "Don't these people read the actual prompt and submission guidelines?" 

I told him that he can expect to see: poems that don't address the prompt at all (not even in their email subject line) or that tangentially address it (as if they added a few words to an existing poem so that it seemed to fit) and poems not formatted in the requested single spacing (which means he has to remove all those extra returns) or that did not make the title in all caps so that it was clearly the title (and wouldn't need to be retyped) or submissions of multiple poems, or misspellings and unintentional grammar errors ("Don't they have spell and grammar checkers on their computer?")

"If I was you, I would just reject those poems outright. That's what a lot of journals do, " he replied.

I don't usually reject poems for most of those reasons - but we all do appreciate submissions that follow the guidelines.




Visit our website at poetsonline.org

September 27, 2020

Tips On Submitting to Literary Publications

Here are some tips from the Superstition Review's Founding Editor Patricia Murphy and Hayden's Ferry Review Supervising Editor Katherine Berta about submitting to literary magazines.






Visit our website at poetsonline.org

September 30, 2019

Not Rejected, But Declined

All poets who send their work out into the publishing world know about rejection. As I sort through the September submissions to our writing prompt, I'm thinking about rejection. It's hard to get a poem rejected, but it is also difficult to reject a poem.

As I have written here before, some submissions are very easy to reject because they do not address the writing prompt. Poets Online is no different from many other journals and online journals; you need to read the submission guidelines and get a sense of what kinds of poems have been accepted.

Poets Online only accepts one poem submitted that was written to the prompt, so when I get a Word document with 10 poems (none of which address the current prompt), it's easy to move it to the rejection folder. We also sometimes get poems written to previous prompts and though we love that people use prompts in the archive, we only accept submissions to the current prompt.

We ask you to format your poem using TEXT format, rather than HTML, and put the TITLE of the poem at the top in all capital letters. All our submission guidelines are on the website.

Have you submitted poems using Submittable? Many major journals use this service and I like that I can find many of my submissions all in one place. I also like that they don't say in the status for your account that your submission was "rejected." It was "declined." I know it's the same result but it is a better word choice.

Of course, getting an ACCEPTED is an even better word choice.













Visit our website at poetsonline.org

February 1, 2019

What Are Publishers Looking For?


Poets often ask other poets for advice on where to send poems and for tips about what publishers are seeking.

If you send out poems regularly, then you probably also regularly get rejections or a "declined" response on Submittable. For submissions to Poets Online, we reject the most poems for a very simple reason: they don't respond to the prompt, since we are looking only for poems from the current writing prompt, 

Publications always recommend that you look at a few issues (online or in print) to get a sense of "what they are looking for," but I have done that for some publications and have still wondered what made those poems the ones they accepted.

Writers should look at a journal or press' website for that submission guidelines page. A useful tool is the database at Poets and Writers magazine. If you look at their search tool and narrow the search to small presses that accept poetry, you will find many possibilities.

But the information given out by a press can really vary in its usefulness.

2River offers this EDITORIAL FOCUS "We prefer poems with these qualities: image, subtlety, and point of view; a surface of worldly exactitude, as well as a depth of semantic ambiguity; and a voice that negotiates with its body of predecessors."

Wow. That's a tough focus to parse. Do my poems have a "surface of worldly exactitude" and do they negotiate with some body of predecessors?  This would be a tough essay question for the final exam.

On the other hand, the next press in the alphabetical list is 3 Mile Harbor Press and their focus gives me a better sense of what they are looking for in submissions: "3 Mile Harbor Press is committed to publishing the best diverse work by new and established poets and is particularly interested in finding LGBQT, feminist and environmentally aware voices."

They further offer these TIPS FROM THE EDITOR: "Please no greeting card, overly sentimental or clichéd offerings--also nothing sexist, misogynist, racist or homophobic. 3 Mile Harbor Press is looking for strong voices and strong imagery. Virtually any genre of poetry is acceptable: lyric, narrative, experimental, magical realism, spoken word, etc., as long as it is within a cohesive manuscript."

You might think that Wake Forest University Press in North Carolina might be a good place for your Southern-focused poetry, but they say that they publish "Irish poetry only" and they do not accept manuscripts from American poets, including Irish-American poets. So, "If you are a native of Ireland and wish to submit a poetry manuscript, please email a representative sampling of your poetry and your biographical information."  Cross that one off my list.

Looking in the search under "literary magazines," I find one I am familiar with and have submitted to and have had poems published in. That is the Paterson Literary Review. But their description is not very useful "Poems: under 2 pages, high quality, any style... Please do not send more than five poems  at a time. We do not accept online submissions."

That is pretty basic and I know by reading the journal and by my own submissions that were accepted and also by being lucky enough to know the poet/editor, Maria Mazziotti Gillan, that "any stle" isn't really what they are looking for in submissions. If you submit "language poems," there is an excellent chance that they will be rejected. Looking in PLR, you will not find that style. Maybe you should send those to places like Poetry magazine, even though they claim a "desire to print the best English verse which is being written today, regardless of where, by whom, or under what theory of art it is written."

February 2, 2013

EXIT 13

EXIT 13 magazine is one of the many small press poetry publications that keep poetry alive across the country. It features poets of all ages, writing styles and degrees of experience, focusing on where and how we live and what’s going on around us. This "poetry of place" is about geography, travel, adventure and the fertile ground of the imagination. It’s a travelogue in poetry, a reflection of the world we see, and a chronicle of the people we meet along the way.

Tom Plante started the magazine which he named after the Elizabeth exit off the New Jersey Turnpike where Tom once lived. It is a very much a labor of love and one-man operation by Tom who has edited and published the magazine since 1988. The annual issues also feature photos of exit 13 road signs contributed by correspondents. Plante sends a copy of the magazine to each photographer whose work is published.


Tom is reading submissions now for the 2013 issue which celebrates the magazine's 25th anniversary. He will be reading until the end of February. Email submissions with the poems within the email (no attachments) or snail mail to to EXIT 13, Box 423, Fanwood NJ 07023.

Tom Plante has personally been writing poetry for over forty-five years. “Poetry is necessary,” he says. “Poems are road maps for the soul; the GPS of a higher plane."

Before he moved to the New Jersey, Plante lived in the San Francisco Bay area of California. There, he worked with a friend to produce a small poetry magazine called Berkeley Works. Plante’s work in California gave him the inspiration to start his own literary magazine on the east coast.

The journeys of all the contributors gives us poems with a geographic point of view - a supermarket at the Jersey Shore, the Philadelphia Flower Show, souvenir shopping in Gallup, the Witches Market in La Paz, and buying a final round in Belgooly, Ireland.

There will be an EXIT 13 25th Anniversary Issue reading event October 15, 2013 as part of the Carriage House Poetry Series in Fanwood, NJ.

December 3, 2012

Submissions Open for Little Patuxent Review’s Summer 2013 Music Issue



The Little Patuxent Review’s reading period for their Summer 2013 issue is now open and runs from December 1, 2012 to March 1, 2013.

Their theme is MUSIC in all its ageless meanings and contemporary variations through poetry, prose and the visual arts.

Music starts with sound and silence. As such, music and literature likely arose as a single entity. Even as the two drew apart, they maintained a continuum, causing Alphonse de Lamartine to state, “Music is the literature of the heart; it commences where speech ends.” And influenced one another in form and content, causing Ezra Pound to pronounce, “Poets who will not study music are defective.” Be that as it may, literary figures as disparate as William Shakespeare, T.S. Eliot and Ralph Ellison have made music an essential part of their works.

Little Patuxent Review is a community-based art and literary journal focused on writers and artists from the Mid-Atlantic region, but all excellent work originating in the United States is considered.

Full guidelines are online at http://littlepatuxentreview.org/submissions/. They do not accept submissions sent by standard mail or email - check the guidelines page to use their electronic submission manager.

October 20, 2012

Places to Submit Poems Electronically

Louie Crew, Emeritus Professor at Rutgers University, has maintained a great list of Poetry Publishers Willing to Receive Submissions Electronically since 1996 and has included our main Poets Online site since we launched in 1998.

Louie recently contacted me and the other 994 (!) sites to confirm that the links and emails are current. In this labor of love, he visits each website monthly and writes to editors at least twice a year to confirm publications are still viable.

He lists poetry editors who are willing to receive submissions electronically with some preferring manuscripts in the body of an email message and others as attachments. Most of his entries have brief submission tips and direct you to a website. These are both "e-zines" like Poets Online and traditional print publications.

Louie wisely suggests that you study a copy of the magazine or site archive to determine whether your material would have a fit with the other material published.

I am also on board with Louie in not being a fan of entry or reading fees or requiring an author to buy a copy of the publication to see her or his work. Of course, there are publications that only exist and publish because of a fee. And I agree that poets need to also be poetry consumers and should subscribe voluntarily to support good literary magazines.

Louie Crew's entire site is a diverse and interesting read at andromeda.rutgers.edu/~lcrew/

February 25, 2012

Poetry Publishers Willing to Receive Submissions Electronically

Louie Crew, Emeritus Professor at Rutgers University, maintains a great list of Poetry Publishers Willing to Receive Submissions Electronically. Poets Online has been on the list for a number of years.

He lists poetry editors who are willing to receive submissions electronically with some preferring manuscripts in the body of an email message and others as attachments. Most of his entries have brief submission tips and direct you to a website.

Louie wisely suggests that you study a copy of the magazine or site archive to determine whether your material would have a fit with the other material published.

His page has been online since 1996 and visits each website at least once a month, and write to editors at least twice a year to confirm publications are still viable. he is also no fan of entry or reading fees or requiring an author to buy a copy of the publication to see her or his work. On the other hand, he says that he hopes "that all poets will be poetry consumers and subscribe voluntarily to a wide variety of literary magazines. It is vain to expect others to read our poetry if we have no abiding interest in poetry by other living writers."

His page at Rutgers is http://andromeda.rutgers.edu/~lcrew/pbonline.html

January 20, 2012

Allen Ginsberg Poetry Awards

The Allen Ginsberg Poetry Awards are sponsored by The Poetry Center at PCCC, and honor Paterson poet Allen Ginsberg’s contribution to American Literature.

The first prize winner will receive $1,000; second, $200; and third $100.

The entry fee of $18 covers the cost of a subscription to The Paterson Literary Review, in which the winning poems will be published. The submissions deadline is April 1.

Winners will be asked to participate in a reading to take place in Paterson’s Historic District.

For guidelines and an entry form, go to www.pccc.edu/poetry or send a self-addressed, stamped envelope to:
Maria Mazziotti Gillan,
Executive Director,
Poetry Center,
Passaic County Community College,
One College Boulevard,
Paterson, N.J. 07505-1179.

Be sure to mark the envelope with the contest name.

May 26, 2011

Submit Your Poetry This Summer

Is summer a time that you have more time for your writing - and to mail off poems for publication?

Poet Diane Lockward has again posted on her blog a useful, updated list (in 3 parts) of print journals that read during the summer and some that read only during the summer.

Journals
A - F
G - P
Q - Z 

Unfortunately, there aren't links to the journal sites or addresses, so you'll have to do some of the work for yourself!

May 22, 2011

Submit Poems of War and Remembrance

The anthology of classic war poems collected on the About.com poetry pages are in remembrance of those who gave their lives in the many wars fought in human history.

This year with Memorial Day near, they ask you to add some new poems to their war and remembrance collection. You are invited to submit your own poems or suggest your favorite classics.


NOTE: the text box on the submission page doesn’t convey your format accurately when you type a poem into it (a problem that we find on Poets Online with emailed poems) - so use slashes (“/”) to indicate line breaks and double slashes (“//”) to indicate stanzas.

February 4, 2009

Call For Poems of Protest

I wrote written before about protestpoems.org, and we used it as a prompt on Poets Online.

They have a new editor - Richard Pierce-Saunderson. He sent out their projected publication dates for the first half of 2009 and included these submission guidelines.

We’re not looking for partisan propaganda. We’re not looking for party-political mouthings. We’re not looking for sentimental depictions of what you see on the TV. We’re not looking for rhyming greetings card verses.

We want you to champion, not yourselves, but human rights; the rights of those who don’t have the freedom to write and speak as we do. Rage. Celebrate. Mourn. Demand. Scream. Dance.

Formal complaints are especially exciting. There’s something wonderfully subversive about a villanelle that attacks a government deliberately making the same mistake over and over again.

If you need to be inspired, read the Universal Declaration of Human Rights. Then check out any objective newsfeed or news site.

Paste your poems (a maximum of 3 one-page poems), into the body of an email and send to write@protestpoems.org. If necessary, you can email a single .doc or .rtf file containing all the poems you are submitting.

Include a brief bio.

We will accept poems previously published on paper, as long as you hold the copyright. We will not accept poems which are already (or have previously been) published online (including blogs). We will publish a poet only once a year.

If your poem deals with a specific call for action, or commemorates a specific person, please let us know.

Publication dates for the first half of 2009 are :

14 Feb
28 Feb
14 Mar
28 Mar
11 Apr
25 Apr
09 May
23 May
06 Jun
20 Jun

I'm really looking forward to reading your submissions, and want us to be able to publish high-quality, edgy material.

Hoping for peace in a violent world,

Richard


Consider a submission...

March 29, 2008

Prompt Action: Protest Poems

I am continuously delighted by the contacts that I make from around the world by doing poetsonline.org and this blog. One such contact inspired me to use the protest poem as a writing prompt for the site in April. It was an email I received from Ren Katherine Powell, the founding editor of Babel Fruit.

Ren is a native Californian, now living on the southwest coast of Norway and has "seriously invested in wool socks." She is a member of the Norwegian Writers' Union and Norwegian PEN's Women Writers Committee representative. She helped to establish the International Cities of Refuge and worked as the project coordinator. She is a dramatist, poet and translator currently pursuing a PhD in Creative Writing. Her performance work has been staged in the US, Canada and Norway. She has two volumes of poetry and nine books of translations to her credit. (More about her on her website and her blog, Sidestepping Real.)

Here's my initial contact from her:
I hoped that you would consider adding two links to your links page. I am the founding editor of Babel Fruit online journal: http://www.babelfruit.org/. We publish award-winning writers of prose and poetry.

We also have an associated project called ProtestPoems.org. It is a writing prompt/protest letter project. Writers do writing exercises anyway. We provide a specific theme and do the grunt work of putting them in the mail. We post the compilations on the website, and all poems contributed to ProtestPoems are considered for Babel Fruit.

Babel Fruit is an independent initiative first established in cooperation with the International Cities of Refuge. Each issue of Babel Fruit presents a previously persecuted or exiled writer.

Poets Online has been offering a monthly poetry prompt for about a decade. But if you feel the need for writing prompts that have more impact, try the monthly poetry prompts at ProtestPoems.org. They have asked for "poems to fight censorship, satire against those who silence satire, acrostic poems to spell out support of free speech." All poems are sent along with the protest letters, and all poems are also considered for publication in Babel Fruit.

How's this for an editorial policy: "These unedited compilations are serious protest actions - an ode to your ant farm will not be included unless the writer wrote about, lived in or liberated an ant farm."

January 7, 2008

The Submission Game

My friend Diane Lockward wrote recently a semi-serious post on 7 things you should know about being a poet and the one that caught me was

You would write poetry even if no one published you. But you might not revise so carefully.

I made a conscious decision about 5 years ago to stop submitting poems to publishers. It was a combination of things including the time involved, the acceptance:rejection ratio and all the politics and scams involved in even the best publications. But my number one reason for stopping was this: I realized it was changing my writing. At times, I found myself thinking about what a publisher "wanted" as I wrote. In the early days, I would sift through my poems and select things that I thought fit a market (as with those writer types I see in Barnes & Noble drinking coffee and using B&N as a library as they furiously copy addresses from The Writer's Market or The Poets Market).

That's not a healthy way to write.

I mentioned this to 2 poets recently. One said she never gives a thought to whether or not what she's writing "fits" a market. The other person said he figures that people who submit to Poets Online probably have some sense of "market" (if such a foreign concept applies to the site!) if only because the prompt is changing what they write. Hmmmm...

I wonder about that, especially since at least 50% of the poems submitted each month have no connection to the prompt.

I'd be curious to hear from any of you who do submit about whether or not you have a sense of a "what we're looking for" at Poets Online.

If you are doing the submission game, another post by Diane is about on submitting poems to journals via email which certainly beats the snail mail method.

February 23, 2007

I Know You're Out There (I Can Hear You Breathing)


"I Know You're Out There, I Can Hear You Breathing," is one of those old stand up comedian lines to throw out when the audience gets real quiet. Well, in this case it was Poets Online that got quiet.

There hasn't been an update to the site (new poems or prompt) for January or February. The past week I received 5 emails from site regulars asking if everything was OK. There were a few last month too. Mixed concern for the site and for me, which is very thoughtful.

I had a similar situation with a blog I do as part of my job. The server had problems, the blog went offline and suddenly I started getting emails from folks saying, "Hey, your blog is down." More email response than we ever get in comments as a response.

It reminded me of my college days when I had this late night radio show where you suspect that no one is actually listening. No one calls in. No requests. Then the transmitter goes down. And the phone starts ringing. There really were listeners out there.

So, I do know that you're out there. And I do hear you breathing.

The submissions are pretty consistent for the site prompts. There are usually 20-40 per prompt, though a good portion have nothing to do with the prompt.

Interestingly enough, during the past weeks when there was no active prompt, I still received 23 poems.

So where have we been? Well, right here. With the computer still on every day. It's just that work and family have grabbed a tight hold on this one man operation and the part that got squeezed out was the poetry.

But I'm going to give it some time this weekend. Planning to get up a new prompt, the poems from the December 'heroes" prompt and (since January just disappeared) I think I'll put together a page with some of those submissions "unprompted" or sent late or whatever that have come in the past few months as a January page.

I'm hoping the site will return (along with work, family, the weather & life in general) to normal.

Keep those cards and letters coming.