February 16, 2026

Defining Uncurated in Publishing


I came upon an article on Substack, "Uncurated: The Case for a New Term of Art" by Timothy Green. Tim has worked as editor of Rattle magazine since 2004. He's the author of American Fractal (Red Hen Press, 2008) and occasionally mints poems as NFTs.

I know what "curation" means, but if a publisher asks for "previously uncurated work," what do they mean? It's a new term that means that your work has not appeared in a literary magazine, journal, or anthology. 

Why do we need a new term? Green says that, "We haven’t thought of a word to replace 'publication,” now that publication is irrelevant...Imagine how literature would thrive if we could share our art with our friends in the medium of the era."

If you use Substack, you can read the entire post, but here are a few excerpts as summary.

...Your friend shares a poem they wrote last night on Twitter. You read and enjoy it; they feel the joy of your enjoyment. Months or years later, you see the poem in a literary magazine. What do you think? Are you disappointed that you already read it? Of course not! Quite the opposite, you’re thrilled that you remember having that early peek, thrilled you’re friends with a good writer. You might even buy a copy of the magazine just because you have a friend in that issue. And most readers will have no idea that an early version was posted last year on Twitter, and that they could have sifted through billions of tweets to find it. They wouldn’t care if they knew. The curator discovered its value—that was the job of the curator, and that’s what readers are thankful for...
There’s no reason left on earth for publishers to continue blocking this scenario. And as soon as we get out of the way by making this simple change, all of literature will be better for it.
For most of my time as Editor of Rattle, our guidelines have said that we do not accept previously published poems, but don’t consider posting work to blogs or social media as publication. That’s the rule I wanted to practice, but the twisting of language always bothered me. Posting work online is publication. A public tweet is public. But now we have the word to solve that problem."

Green concludes:

"If you’re a publisher reading this, I hope you’ll adopt uncurated as a new term of art along with me, and help it to grow. If you’re a writer, I hope you’ll encourage others to switch by using curated in your bios. “My poems and stories have been curated by X, Y, Z.” Focus on the curation that matters, rather than the publication that doesn’t. It will only take a simple find-and-replace to catch us up to the current era and make the literary world a better place."

Are you seeing this term in places where you submit? Is it a useful term?




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February 9, 2026

Prompt: Advice, He Said


The first time I heard Hal Sirowitz reading his poetry was a revelation. His deadpan delivery, and self-deprecating humor, and domestic neurosis had the audience laughing like they were at a comedy club. (He reminded me of the comedian Steven Wright.)

Hal rose to prominence as a regular at the Nuyorican Poets Cafe during the 1990s slam poetry boom. Although seeing Hal read in person was definitely the way to go, he was not what you think of as a "performance poet."

Born in Manhattan and raised in Queens, Sirowitz’s work is rooted in the Jewish-American experience and the specific rhythms of NYC. He was best known for three collections of poems written in the voice of authority figures, including his mother, father, and therapist. All three offered unsolicited, guilt-ridden, and often absurd advice.

Put a Little Enjoyment in Your Life
All work and no play
makes Jack a dull boy,”
Father said, “which is why
we didn’t name you Jack.
We chose Harold. It means
‘Life’ in Hebrew, “Chaim.”
Please show more signs of it.
It’s too late to change names.

That poem and the others used as models on the website this month are available on Hal's website. Sirowitz is the author of five books of poetry: Mother Said, My Therapist Said, Father Said, Before, During & After and Stray Cat Blues.

Hal retired from a three-decade career as a New York City public school special education teacher. He then moved with his wife, the writer Minter Krotzer, to Philadelphia.

Hal Sirowitz passed away on February 24, 2024, in Philadelphia, Pennsylvania, at the age of 75. His death was the result of complications from Parkinson’s disease, a condition he lived with for over two decades. Despite the physical toll of the illness, Hal continued to engage with the literary community and write, often with the support of his wife, the writer Minter Krotzer.   

For the March 2026 issue, we are asking that you use Hal's style of short poems (14 lines or less) in the voice of someone (of some authority) giving advice. You should include his stylistic "said" that identifies the speaker. Is the advice unsolicited, guilt-ridden, or absurd? Perhaps. But it could also be valid, but unwanted, or only known to be useful at a later date. 

 The deadline, as always, is the last day of the month, February 28. 



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January 29, 2026

Dogs and Billy Collins


In a PBS interview for a new collection of Billy Collins' poems about dogs, it is said that nobody can fully understand the meaning of love unless they have had a dog. Collins agrees. 

The former U.S. poet laureate is a literary lion of the New York Public Library and a member of the American Academy of Arts and Letters. He recently released his 12th collection of poetry titled Dog Show.

Billy Collins, a dog lover and owner who's been writing about them for decades, he's now pulled together a selection of those poems in a volume he's dedicated to 85 dogs, those of friends as well as his own. The book is illustrated with Pamela Sztybel’s watercolors,

Watercolor illustrations by Pamela Sztybel help show what's beguiled Collins ever since he got his first dog as an only child. 

When we got a dog from the pound, my father said: "We're going to get a dog, but, remember, we're buying a heartache," which was, the dog's going to die before we will, which is a fact of dog and human life. Somebody said, the only -- dogs are flawless, except they die too soon. 

That's what we're trying to avoid, is the -- bring up the violins and -- but I do have that poem of -- you know, I think, "A Dog on His Master."

A Dog on His Master.
As young as I look, I'm growing older faster than he. 
Seven to one is the ratio they tend to say. 
Whatever the number, I will pass them one day 
and take the lead, the way I do on our walks in the woods. 
And if this ever manages to cross his mind, 
it would be the sweetest shadow I have ever cast on snow or grass.

On the craft of writing poetry:

I think the craft part comes from having taught English literature for many, many decades and having this kind of Rolodex of poetic stuff revolving and teaching semester after semester, Wordsworth, Emily Dickinson, Hardy.

On the voice of his poems: 

So the voice in my poems is very straightforward. It's without guile and even kind of chummy with the reader. Someone said no line must sleep. Every line needs to be aware of the lines around it, as opposed to prose, where the sentences just drive forward. Poetry is a language that means more and sounds better than other written expressions.


Billy reads two poems about what dogs think (probably)



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January 7, 2026

Prompt: Ages of the Day


We are starting off 2026 with a call for submissions that emerged while I was trying to find a poem that I believed was titled "Blue Hour." I thought I remembered a poem about the time of day when the light appears a bit bluer than at noon or sunrise or sunset.

The transition from day to night (and vice versa) is divided into several phases based on the Sun's position relative to the horizon. While we often use words like "dusk" and "twilight" interchangeably in casual conversation, they have precise astronomical and poetic meanings.

Dawn refers to the specific moment the Sun reaches a certain angle before sunrise. Dusk refers to the specific moment the Sun reaches those same angles after sunset. Twilight is the duration of time between these points.

Poets often use these times symbolically, just as they use the seasons. Dawn almost always represents rebirth, hope, "blushing," awakening, and the "white hour" and is optimistic or renewal-focused. Twilight represents aging, memory, the end of things, regret, and is melancholic or meditative.

More poetic terms for these times of day includes the "gloaming," a term with Scottish roots that comes from the Old English glōm, meaning shadows and twilight. It specifically refers to the evening twilight. Unlike the scientific "dusk," gloaming is an emotional term evoking a sense of quiet, soft light.

This time was thought to be a "thin place" where the veil between worlds is believed to be weakest. Also known as "Eventide,"in Celtic folklore, the gloaming is when the "Fair Folk" or spirits are most likely to appear.

While "Golden Hour" implies light, "gloaming" implies the creeping of shadows (glōm). Also known as the "Magic Hour" by photographers, this time occurs when the Sun is just above the horizon (roughly the first hour after sunrise or the last hour before sunset). The light is warm, soft, and golden because it has to travel through more of the Earth's atmosphere, which scatters the blue light and emphasizes reds and oranges.

All of this came from my searching for that "Blue Hour" poem. This time occurs when the Sun is just below the horizon and the remaining light is dominated by blue wavelengths, creating a cool, moody, and ethereal atmosphere. This blue light also occurs in the stillness of the early morning.

While the term "the blue hour" (or l'heure bleue) is frequently used by photographers, filmmakers and novelists to describe the twilight just before sunrise or after sunset, it appears in poetry with a specific focus on the stillness and liminality of the morning before dawn.

This liminal hour just before dawn was called by the ancient Greeks the “wolf hour.” I did find that poet Louise Glück used the term “blue hour,” and Mary Oliver wrote in her many poems about this almost-but-not-yet-light time of day. It is a threshold time when the world hasn’t yet decided what kind of day it will be. It's a kind of suspended moment.

Arthur Rimbaud is often cited as one of the first to use the phrase poetically. He wrote about "aux premières heures bleues" (at the first blue hours) in his 1872 poem "Est-elle almée?" to refer to the very early morning. The specific term "Blue Hour" didn't gain widespread popularity until the late 19th and early 20th centuries, heavily influenced by French Impressionism and later by the technical terminology of photography.

Most classical poets (like Wordsworth or Keats) preferred terms like "the grey dawn," "the gloaming," or "the rosy-fingered dawn." 

I found a poetry collection titled Blue Hour: Poems by Carolyn Forché, and I found several poems with that title. but never found the poem I was remembering. Maybe it doesn't exist.

I spent a morning looking up all these terms and finding poems about the words we use to describe times of day based on the light. 

I ended up writing a poem myself about that light that is sometimes called (as is my poem) "God Rays.

Here are three public domain poems that deal in some way with these "ages of the day" (a phrase I borrowed from Frost). 

Emily Dickinson often used dawn as a metaphor for hope or the end of a struggle. In this poem, she describes some physical preparation for the day as light moves from fear to calm. Her smoothing hair and readying dimples are real starts to the new day, and night and its fright are reduced to a brief, fading memory. 

When Night is almost done
And Sunrise grows so near
That we can touch the Spaces
It’s time to smooth the Hair

And get the Dimples ready
And wonder we could care
For that old faded Midnight
That frightened but an Hour

Her poem that begins "There’s a certain Slant of light," find the light of a winter afternoon to be heavy and oppressive.

There’s a certain Slant of light,
Winter Afternoons – That oppresses,
like the Heft
Of Cathedral Tunes...

"Dawn," a brief poem by Paul Laurence Dunbar, personifies a sleeping night and a blushing dawn.

An angel, robed in spotless white,
Bent down and kissed the sleeping Night.
Night woke to blush; the sprite was gone.
Men saw the blush and called it Dawn.

In this odd poem, "Flower-Gathering" by Robert Frost, a relationship moves from morning's glow to the grey gloaming, and the "ages of the day" are used as a metaphor for the changing relationship.

I left you in the morning,
And in the morning glow,
You walked a way beside me
To make me sad to go.
Do you know me in the gloaming,
Gaunt and dusty grey with roaming?
Are you dumb because you know me not,
Or dumb because you know?

All for me? And not a question
For the faded flowers gay
That could take me from beside you
For the ages of a day?
They are yours, and be the measure
Of their worth for you to treasure,
The measure of the little while
That I’ve been long away.

In "Clenched Soul" by Pablo Neruda, and other poems he often wrote of the "blue night" dropping on the world, and twilight is a time of loss and solitude.

We have lost even this twilight.
No one saw us this evening hand in hand
while the blue night dropped on the world...

Our February issue will feature poems that are concerned with a certain time of day - dawn, dusk, twilight, gloaming, blue hour, magic hour, golden hour, sunrise, sunset, or even one of the scientific names for the times of day. What can that time of day, or the passage to or from it be a metaphor for to you?

Submission deadline January 31, 2026

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Born in Amherst, Massachusetts, Emily Dickinson (1830–1886) was a prolific yet private American poet. She lived a reclusive life at her family homestead, writing nearly 1,800 poems characterized by slant rhyme and unconventional punctuation. Only ten were published during her lifetime; the rest were discovered posthumously, cementing her legacy.

Paul Laurence Dunbar, born in 1872 and the author of numerous collections of poetry and prose, was one of the first African American poets to gain national recognition.

One of the most celebrated figures in American poetry, Robert Frost was the author of numerous poetry collections. Born in San Francisco in 1874, he lived and taught for many years in Massachusetts and Vermont and died in Boston in 1963.



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"God Light"