Showing posts with label courses. Show all posts
Showing posts with label courses. Show all posts

February 21, 2016

The Art of Poetry Free Online Course

Boston University and edX is offering a free, six-week, online poetry course (a MOOC - Massive Open Online Course) taught by Robert Pinsky, Duy Doan, Laura Marris, Calvin Olsen and Tomas Unger.

The course launches March 29, 2016. The class covers a wide range of material, from classics to work by contemporary poets. According to Pinsky, “this course is based on the conviction that the more you know about an art, the more pleasure you will find in it.”



Rather than following particular schools of poetry or trends, the lectures, discussions, and readings of the course focus on elements of the art itself, from poetry’s historical relation to courtship to the techniques of sound in free verse.

From the edX website:

Poetry lives in any reader, not necessarily in performance by the poet or a trained actor. The pleasure of actually saying a poem, or even saying it in your imagination—your mind’s ear—is essential. That is a central idea of “The Art of Poetry,” well demonstrated by the videos at favoritepoem.org: the photographer saying Sylvia Plath’s “Nick and the Candlestick,” the high school student saying Langston Hughes’ “Minstrel Man.” Those readers base what they say about each poem upon their experience of saying it.

The course is demanding, and based on a certain kind of intense reading, requiring prolonged, thorough— in fact, repeated—attention to specific poems.

The focus will be on elements of the art such as poetry’s historical relation to courtship; techniques of sound in free verse; poetry and difficulty; kidding and tribute—with only incidental attention to “schools,” jargons, categories, and coteries.

Learners are encouraged to think truly, carefully and passionately about what the poem says, along with how the poem feels in one’s own, actual or imagined voice. As Robert Pinsky says, in the Preface to Singing School: “this anthology will succeed if it encourages the reader to emulate it by replacing it . . . create your own anthology.” In a comparable way, this course hopes to inspire a lifelong study of poetry.

To registe: https://www.edx.org/course/art-poetry-bux-arpo222x-0

August 26, 2011

Poetry and Song Lyrics

The online school of Boston’s Berklee College of Music, is debuting the new online course, Creative Writing: Poetry, for their upcoming fall term, beginning September 26th, 2011.

The 12-week course focuses on writing better lyrics through the study of poetry.

“If you want to gain control over your writing, find out what makes poetry work, and what your compositional options are, then this is the course for you,” said Pat Pattison, course author and Professor of Lyric Writing and Poetry at Berklee. “By the time you finish this course, your eyes are going to be completely open to the possibilities of language. This course will make your writing better, and if you do music, it will make your music better.”

Bob Dylan's handwritten lyrics to Just Like a Woman
Are any of you poets reading this also musicians? Do you write poetry when you sit down to write lyrics? Those questions take me back to the late 1960s when students were arguing that their favorite musicians were writing poetry, and some teachers were beginning to use the lyrics of Bob Dylan, Paul Simon, The Beatles and others as a way to teach poetry.

The course says that you will learn "how to enhance your ideas through arranging lines into odd or even numbered line groups and creating either a feeling of tension or resolution with the composition itself, independent of the poem's meaning. You'll learn placement, timing, focus, and especially how to use rhythm in language expressively. By the end of the course you’ll be able to construct various chord types used in pop/rock and other styles, and have the improvisational (soloing) vocabulary used in pop/rock styles at your fingertips."

The course readings listed aren't from the world of music but from the very traditional class anthology with Shakespeare, Shelley, Keats, Emerson, Browning, Wadsworth, Longfellow, Tennyson, Yeats, Frost, Cummings, Allen Ginsberg.