Showing posts with label Yusef Komunyakaa. Show all posts
Showing posts with label Yusef Komunyakaa. Show all posts

March 1, 2023

Finding Father's Love Letters Again

In the days before email


I was recently notified that a poem of mine titled "My Father's Love Letters" would be in the forthcoming issue of the Paterson Literary Review. It's not a new poem. I wrote it originally in 2000 from a very early prompt on the Poets Online website

As I go back and look at some of the first pages in our archive of 300+ prompts, I find that those early ones often surprise me.

Here was that prompt:

Imagine you have discovered a packet of your father's love letters. It might be easier to imagine love letters written by your mother, but, no - these are your father's love letters. How would they sound? Were they to your mother or someone else? Were they ever mailed?

Our model poem for this prompt was Yusef Komunyakaa's poem "My Father's Love Letters." The links on the old page needed to be fixed. That is probably true for other links on the old archived issues. I did find his poem on another website and also an audio recording by Yusef reading that poem.

The older archive pages were in a simpler format and often need some maintenance which is an ongoing process for the site. In this case, there were only five poems posted and we didn't get as many submissions in the beginning as we do now. The prompts were much shorter at the beginning and there was no blog where we extended the prompt.

POETS ONLINE started in 1998 as an e-mail exchange with four poets who met at a weeklong poetry writing workshop. Taking turns and suggesting a prompt idea, we took a week and then e-mailed our poems to each other. As more poets joined the group, it became an awkward mailing process, and POETS ONLINE, the website was created. By early 1999, a mailing list was created to remind people to check the latest prompt & poems and that has grown to hundreds of subscribers.

It wasn't until 2003 that I bought the domain poetsonline.org. The blog appeared in October 2005 and by then we already had seven years of prompts and poems. The blog now had almost 800 posts and goes well beyond just the prompts, and has had almost 705,000 visits.

I know from emails that a number of teachers use the archive of pat prompts as a resource for students to get ideas and models for their writing (poetry and otherwise). That pleases me. Of course, anyone can use the older prompts for inspiration whether for not they ever submit to the site to be published in the next issue.

Visit our website at poetsonline.org

December 6, 2016

Prompt: Broken Things

"Action Man" by Jeremy Richardson via Flickr

Things break. Usually, we try to fix them, or find someone else who can fix them for us.

Today, we often hear that things are more disposable. "Planned obsolescence" is a phrase that goes back to the 1930s. It describes a policy of producing consumer goods that rapidly become obsolete and so require replacing. This is achieved by frequent changes in design, termination of the supply of spare parts, and the use of non-durable materials.

In the more than 70 years since the concept was introduced, that idea has moved from automobiles, television sets, phones and other hard goods to much softer ones. People discuss how things like relationships and marriage have become disposable.

In Yusef Komunyakaa's poem "The God Of Broken Things," he tells us of a very human "god" who can fix just about anything you bring into his junk shop.

He's in a lopsided heaven at Maggie's
Junk Shop. Objects of wood, iron, ivory,
Of veneer, lead, stone, glass, flimsy
Cardboard, of tin, brass, bronze . . .

He could go on forever fixing
Cracks, fissures, dents, fractures,
Rasping & gluing together what is
Unheard-of with what can never be

All of these very real things that range from "Objets d'art to "bric-a-brac" can be mended in some way. The poet says that they are "Broken or hurt beneath the architecture / Of planned obsolescence."

In Komunyakaa's collection Talking Dirty to the Gods, he gives us 132 poems of 16 lines (four quatrains) with most of the lines being of four stresses. Like sonnets, there is a formalism to the poems and they include many allusions to mythology and religion. Besides “The God of Broken Things,” there is a “The God of Variables” and “The Goddess of Quotas.”

Some poets find beauty in broken things.  In her poem "Broken Things,"  Sara Teasdale writes:
    Broken things are loveliest,
            Broken clouds when dusk is red,
    Broken waves where a rainbow rides,
            Broken words left half unsaid.

    Broken things, broken things—
            How quietly they comfort me,
    Riven cliffs, where I can watch
            The broken beauty of the sea.  

In Alice Walker's poem "I Will Keep Broken Things," she wants to save everything, broken or not.

But in his "Ode To Broken Things," Pablo Neruda suggests letting all the broken things go.
Let's put all our treasures together
-- the clocks, plates, cups cracked by the cold --
into a sack and carry them
to the sea
and let our possessions sink
into one alarming breaker
that sounds like a river.
May whatever breaks
be reconstructed by the sea
with the long labor of its tides.
So many useless things
which nobody broke
but which got broken anyway

None of these poets talk about broken hearts, broken relationships, broken homes, broken promises or broken lives, but we know that many things break and are much harder to repair than all those objects.

This month,we are writing poems about broken things and about our attempts to repair them. From Neruda, we will use his poem as as a thematic model, and from Yusef Komunyakaa we will borrow a short, controlled form for our poems: 16 lines in four quatrains. You may also want to meter the stresses, words or syllables to maintain line lengths - in his poem he uses mostly four stresses per line.

Submission Deadline: January 2, 2017