Showing posts with label renga. Show all posts
Showing posts with label renga. Show all posts

February 8, 2014

Writing the Day



Writing the Day was the name I chose for a new daily practice I started for 2014. It wasn't a New Year Resolution, and it wasn't totally original.  I want to write a poem each day.

William Stafford is the poet who inspired this daily practice the for me. Stafford wrote every day of his life from 1950 to 1993. He left us 20,000 pages of daily writings that include early morning meditations, dream records, aphorisms, and other “visits to the unconscious.”

It’s not that I don’t already write every day. I teach and writing is part of the job. I do social media as a job and for myself. I work on my poetry. I have other blogs. But none of them is a daily practice or devoted to writing poems.

When Stafford was asked how he was able to produce a poem every morning and what he did when it didn’t meet his standards, he replied, “I lower my standards.”

I like that answer, but I know that phrase “lowering standards” has a real negative connotation. I think Stafford meant that he allows himself some bad poems and some non-poems, knowing that with daily writing there will be eventually be some good work.

I wanted to impose some form on myself each day. I love haiku, tanka and other short forms, but I decided to create my own form for this project.



I call the form ronka – a somewhat egotistical play on the tanka form.

And that will be our short prompt for this short month.

These poems are meant to be one observation on the day. It might come upon waking. It might come during an afternoon walk, or when you are alone in the night.The poems should come come from paying close attention to the outside world from earth to sky or from inside – inside a building or inside you.

People know haiku as three lines of 5-7-5 syllables. But that’s an English version, since Japanese doesn’t have syllables.

The tanka form consists of five units (often treated as separate lines when Romanized or translated) usually with the following pattern of 5-7-5-7-7.

For my invented ronka form, there are 5 lines, each having 7 words without concern for syllables. Like traditional tanka and haiku, my form has no rhyme. You want to show rather than tell. You want to use seasonal words - cherry blossoms, rather than “spring.”

It's hard for Western writers to stay out of their poems - lots of "I" - but ronka have fewer people walking about in the poem.

The poems are just 5 lines, but you can certainly write several on a single theme and chain them together renga style.

For examples, there are some on our main site and all my ronka poems so far are on the Writing the Day website. I look forward to you outdoing me at my own form.

Submission deadline: February 28, 2014




July 2, 2011

A Brief Haiku Lesson


Our July prompt uses the tanka poetry form which is the "grandmother" of the newer haiku form. Here is a bit of haiku information that may add to your understanding of the tanka form.

Haiku verse consists of three unrhymed lines of five, seven, and five syllables. The tone of these poems are derived from a combination of this syllabic structure, imagery, and choice of words.

It reflects the values of Japanese culture and the strong influence of Zen Buddhism, especially in the way that haiku emphasizes a single moment. Most haiku give a very brief description of some event or object belonging to nature. In the traditional form, they contain either a direct or indirect reference to a season that turns the reader's attention to the passage of time.

Haiku came from the tanka form which itself was part of a longer renga. Renga (RAY'N-GAH) is "linked elegance" - a Japanese poetry form in which three-line stanzas of 5-7-5 are linked by a two-lines of 7-7 and were usually written by two or more persons. Poets such as Matsuo Basho developed the 3 lines as its own accepted form.

Traditional haiku also contains kigo (KEY-GO) - a seasonal word. Rather than say "spring", the mention of a cherry blossom signals the season, for example.

Japanese does not have syllables, so our Western haiku in 5-7-5 syllables is an approximation of the way on (OH'N), or sound units, are used in Japanese. Each sound in a word is an on. For example, the word "Tokyo" has three on: to- k - yo. These are similar to syllables in English.

Our syllable is an uninterrupted sound. The word "jump" contains two morae in Japanese as does "haiku". But in English language, those two words are not equal in syllables.

The Japanese mora is what we might call a short syllable and the shortest linguistic measure. A long syllable is two morae (the plural of mora).  The word "jump" contains two morae (j-ump) and the word "haiku" contains three (ha-i-ku).


The Haiku Handbook -25th Anniversary Edition: How to Write, Teach, and Appreciate Haiku
Writing and Enjoying Haiku: A Hands-on Guide
The Essential Haiku: Versions of Basho, Buson, and Issa (Essential Poets)
Illustrated Basho Haiku Poems (Little eBook Classics)

June 26, 2009

The Longest Poem in the World?

It is "The Longest Poem in the World" - though some of you may question its claim to be a poem at all.

It is a kind of found poem made by aggregating real-time public Twitter updates and selecting those that rhyme. It a project of Andrei Gheorghe.

It is constantly growing at about 4000 lines per day.

If you click the ellipsis [...] at the bottom of the poem, you can see more of it.

What do you think - poem, or online tech babble?

It's too informal to be a renga, but perhaps it is a new form.