Please visit and post your poems for others to read at facebook.com/groups/poetsonlinediscussion/
June 12, 2019
Post Your Poems
POETS ONLINE has a Facebook page, but we also have a Facebook Group page where we encourage poets to discuss our prompts, post their poems (not related to the monthly prompt) and share links to articles and other ars poetica.
June 10, 2019
Will there really be a ‘Morning’?
Will there really be a “Morning”?
Is there such a thing as “Day”?
Could I see it from the mountains
If I were as tall as they?
Has it feet like Water lilies?
Has it feathers like a Bird?
Is it brought from famous countries
Of which I have never heard?
Oh some Scholar! Oh some Sailor!
Oh some Wise Man from the skies!
Please to tell a little Pilgrim
Where the place called “Morning” lies!
by Emily Dickinson. Public domain
So simple and yet so hard to fully interpret.
Looking online, I find a number of places where people ask questions of the poem. Of course, the poem itself is full of questions.
- Is "morning" heaven?
- Is it another day of life as opposed to an eternal night (death)?
- Does morning coming from the East, from countries that we don't even really know? Perhaps, those countries are the unknown of an afterlife - if there is an afterlife.
- How do we know what we know?
- Is the "little Pilgrim" that this is a child questioning the world?
- Are these religious references? Walking on water ("feet like Water lilies"), angels (feathers like a Bird") and a "pilgrimage."
What is your interpretation of Emily's poem and her "morning?" Post a comment .
June 5, 2019
|sealed letter - via Flickr|
An epistle is a letter in verse, usually addressed to a person close to the writer. They are sometimes moral and philosophical, or intimate and sentimental. It was most popular in the 18th century, but has continued to be used by poets. Alexander Pope's "Epistle to Dr. Arbuthnot" is an example of this classic form.
Lord Byron and Robert Browning composed epistles in the 19th century. One of Byron’s is the “Epistle to Augusta,” written to his sister.
But the epistle is an ancient Roman poetic form. You might associate it with the epistles that are commonly found in the Bible, especially the New Testament.
Epistolary poems, from the Latin “epistula” for “letter," are poems that read as letters. They are poems of direct address. They are free verse, without rhyme scheme or line length considerations. They are addressed to real people, imagined people, groups of people and even to things and abstract concepts.
But poets like to break rules. Elizabeth Bishop’s "Letter to N.Y.," uses rhyming quatrains. It begins:
In your next letter I wish you’d say
where you are going and what you are doing;
how are the plays, and after the plays
what other pleasures you’re pursuing:
taking cabs in the middle of the night,
driving as if to save your soul
where the road goes round and round the park
and the meter glares like a moral owl
In the past two centuries, the epistle is generally less formal and more conversational. An example is “Dear Mr. Fanelli” by Charles Bernstein.
In Hayden Carruth’s “The Afterlife: Letter to Sam Hamill,” he addresses his epistle to a fellow poet and translator who was a friend to Carruth. Is Sam dead? Can we construct a person from our imagination?
The poem I chose this month as a model is by Jean Nordhaus. When I first read it, I immediately thought of the mail that I still receive at my home for both my mother and father, both of whom have died - my father a long time ago; my mother more recently.
Her poem, "Posthumous," begins:
Would it surprise you to learn
that years beyond your longest winter
you still get letters from your bank, your old
philanthropies, cold flakes drifting
through the mail-slot with your name?
There are many other epistles old and new to consider as examples, including "The Correspondence-School Instructor Says Goodbye to His Poetry Students" by Galway Kinnell.
Our June writing prompt is to write your epistle.
Submission deadline: June 30.
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