June 22, 2025

Absurdities and Atrocities

"People who believe in absurdities will eventually commit atrocities."

May 16, 1717 was the day that the French playwright and poet Voltaire ( born François-Marie Arouet in 1694) was imprisoned in the Bastille for insulting the government. 

He was a young man at the time, and a relatively unknown writer. His father had encouraged him to become a lawyer, but Voltaire hated practicing law, so he spent all his time writing satirical poetry instead, poking fun at his political enemies, including the Duke of Orleans. When the Duke read one of the privately circulated poems, he had Voltaire thrown into prison for 11 months.

Voltaire used the opportunity to begin writing his first play, and when he got out of prison a year later, he produced a series of successful plays that made him one of the most popular writers in Europe. He spent the rest of his life in and out of exile from France, speaking out against political and religious repression.



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June 10, 2025

A Poem in Your Pocket


April 10 was Poem in Your Pocket Day for this year, but any day can be a poem in your pocket day. How about June 10?

The idea for the day was initiated in April 2002 by the Office of the Mayor in New York City, in partnership with the city’s Departments of Cultural Affairs and Education. In 2008, the Academy of American Poets took the initiative to all fifty United States, encouraging individuals around the country to participate. In 2016, the League of Canadian Poets extended Poem in Your Pocket Day to Canada.

Poem in Your Pocket Day is observed on the last Thursday of April as an annual celebration of poetry during National Poetry Month. 

It’s easy to participate. Select a poem, carry it with you, and share it with others throughout the day, 

The goal is to inspire a love of poetry and foster a sense of community through this shared experience.

The poets.org website has more than 10,000 poems if you need suggestions.  



Follow this blog for all things poetry.
To see our past prompts and more than 300 issues,
visit our website at poetsonline.org

June 2, 2025

Prompt: Apocalypse


We title this call for submissions "Apocalypse," a word that for many people is synonymous with the end of the world. The two are related concepts, but they are not exactly the same. "Apocalypse" comes from the Greek apokalypsis, meaning "unveiling" or "revelation." In its original sense, it refers to a revelation of hidden truths, often divine or cosmic. In religious contexts, especially in Christianity, it often refers to the Book of Revelation in the New Testament, which includes visions of catastrophic events leading up to the final judgment.

"End of the world" typically refers to a literal or physical destruction of the Earth or human civilization, through war, natural disaster, climate collapse, or other catastrophic means. So while the apocalypse can include the end of the world, especially in modern usage, it originally referred more to that vision or revelation about ultimate things, which may or may not include destruction.

In our two model poems, Jane Hirshfield writes of a vision more apocalyptic in the classical sense than world-ending in the modern sense. "On the Fifth Day" was written in 2017, but it is just as appropriate in 2025. It was originally published not in a poetry journal but in The Washington Post. The silencing of people is in the news now. Is this the fifth day of the apocalypse? Does it lead to the end of the world? In her short poem, "Like Others," the end is here, and the voice of the poem admits - embarrassed, frightened, and perhaps guiltily - to being like the others who did nothing to stop the end. Both poems appear in her 2020 collection, Ledger.

For our July issue, we want to read poems that address "the end" as an apocalypse that is perhaps near, perhaps very distant, and may be destruction or revelation.

Model poems can be helpful, but can also be tempting to imitate. There are more than seventy poems on this theme linked on this website. Be inspired. Don't get trapped.


Award-winning poet, essayist, and translator Jane Hirshfield is the author of ten poetry collections. She is known for her contemplative, deeply humane verse. Jane was born on February 24, 1953, in New York City. She graduated from Princeton University in 1973, among its first classes to include women. Deeply influenced by Zen Buddhism, which she formally studied at the San Francisco Zen Center. Her poetry collections include The Beauty and Ledger, both longlisted for the National Book Award. Jane is also the author of two collections of essays, Nine Gates: Entering the Mind of Poetry, and Ten Windows: How Great Poems Transform the World, and she has translated classic Japanese poetry. She is also a committed environmental and social justice advocate, often weaving these concerns into her work.

submitThe deadline for submissions for the next issue is June 30, 2025.
Please refer to our submission guidelines and look at our archive of 26 years of prompts and poems. Follow our blog about the prompts and topics in poetry.



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To see our past prompts and more than 300 issues,
visit our website at poetsonline.org

May 25, 2025

2025 Pulitzer Prize in Poetry

The 2025 Pulitzer Prizes have been announced. Here are the winner and finalists for this year.

WINNER

New and Selected Poems, by Marie Howe (W. W. Norton & Company)

Characterized by “a radical simplicity and seriousness of purpose, along with a fearless interest in autobiography and its tragedies and redemptions” (Matthew Zapruder, New York Times Magazine), Marie Howe’s poetry transforms penetrating observations of everyday life into sacred, humane miracles. This essential volume draws from each of Howe’s four previous collections—including What the Living Do (1997), a haunting archive of personal loss, and the National Book Award–longlisted Magdalene (2017), a spiritual and sensual exploration of contemporary womanhood—and contains twenty new poems. Whether speaking in the voice of the goddess Persephone or thinking about aging while walking the dog, Howe is “a light-bearer, an extraordinary poet of our human sorrow and ordinary joy” (Dorianne Laux).

Marie Howe is the former poet laureate of New York. The recipient of fellowships from the National Endowment for the Arts, the Guggenheim Foundation, and the Academy of American Poets, she teaches at Sarah Lawrence College and lives in New York City.

FINALISTS

An Authentic Life, by Jennifer Chang (Copper Canyon Press)


Sprawling yet urgent, meditative yet lucid, the poems in Jennifer Chang’s anticipated third collection, An Authentic Life, offer a bold examination of a world deeply influenced by war and patriarchy. In dialogues against literature, against philosophy, and against God, Chang interrogates the “fathers” who stand at the center of history. Poems navigate wounds opened by explorations of family and generational trauma, and draw on the author’s experiences as a mother, as the daughter of immigrants, and as a citizen of our deeply divided nation.

Poet and scholar Jennifer Chang is the author of two previous collections. Her debut, The History of Anonymity (2008), was an inaugural selection for the Virginia Quarterly Review Poetry Series and a finalist for the Shenandoah/Glasgow Prize for Emerging Writers. Her second book, Some Say The Lark (Alice James Books), was longlisted for the 2018 PEN Open Book Award and won the 2018 William Carlos Williams Award. Her poems have appeared in American Poetry Review, Best American Poetry 2012, The Nation, The New Yorker, and Poetry. Chang holds a BA from the University of Chicago and earned an MFA and Ph.D. from the University of Virginia. Since 2003, she has been the co-chair of the advisory board for Kundiman, a nonprofit organization dedicated to supporting Asian American literature. She teaches at the Michener Center for Writers in Austin, Texas.

Bluff: Poems, by Danez Smith (Graywolf Press) 


Written after two years of artistic silence, during which the world came to a halt due to the COVID-19 pandemic and Minneapolis became the epicenter of protest following the murder of George Floyd, Bluff is Danez Smith’s powerful reckoning with their role and responsibility as a poet and with their hometown of the Twin Cities. This is a book of awakening out of violence, guilt, shame, and critical pessimism to wonder and imagine how we can strive toward a new existence in a world that seems to be dissolving into desolate futures. 
Smith brings a startling urgency to these poems, their questions demanding a new language, a deep self-scrutiny, and virtuosic textual shapes. A series of ars poetica gives way to “anti poetica” and “ars america” to implicate poetry’s collusions with unchecked capitalism. A photographic collage accrues across a sequence to make clear the consequences of America's acceptance of mass shootings. A brilliant long poem—part map, part annotation, part visual argument—offers the history of Saint Paul’s vibrant Rondo neighborhood before and after officials decided to run an interstate directly through it.
Bluff is a kind of manifesto about artistic resilience, even when time and will can seem fleeting, when the places we most love—those given and made—are burning. In this soaring collection, Smith turns to honesty, hope, rage, and imagination to envision futures that seem possible.

Danez Smith is the author of three collections including Homie and Don’t Call Us Dead. For their work, Danez was won the Forward Prize for Best Collection, the Minnesota Book Award in Poetry, the Lambda Literary Award for Gay Poetry, the Kate Tufts Discovery Award, and have been a finalist for the NAACP Image Award in Poetry, the National Book Critics Circle Award, and the National Book Award. Danez's poetry and prose has been featured in Vanity Fair, The New York Times, The New Yorker, GQ, Best American Poetry and on the Late Show with Stephen Colbert. Danez is a member of the Dark Noise Collective. Former co-host of the Webby-nominated podcast VS (Versus), they live in Minneapolis near their people. Their fourth collection of poems, Bluff, is forthcoming in August 2024.




Follow this blog for all things poetry.
To see our past prompts and more than 300 issues,
visit our website at poetsonline.org